- Abstractive extensive studies
- Three situation studies
-
Three measurement studies
-
-
Greenwich House, 1957
-
At every instant, seeing reason to believe as much, and not being able to satisfy himself of the contrary, he should conceive himself to be so.
-
Timecode studies
- Postproductions
-
[number of performers-date-abbreviated venue name]
-
Edgar Varèse and the Jazzmen
-
Piano Reductions
-
Luftlinien
music theater/concert for three performers, video, laptops, various microphones, instruments and objects + clandestine libretto
2020 - 2021
The performance is accompanied by a "libretto" including a presentation essay, the totality of the verbal scores played, projected or documented as well as a system of cross-references having function of "meta-partition" –verbal too– in which the public can find all the decisions of the "composer-curator" as for the implementation of the pieces and their origin. The listener has therefore, in addition to a diachronic implementation of the works, a synoptic support giving him/her total access to the contents of the concert.
embedded works from: Peter Ablinger / Vito Acconci / G. Douglas Barrett / Robert Bozzi / George Brecht / John Cage / Budhaditya Chattopadhyay / Nicolas Collins / Bernhard Garnicnig / Scott Fitzgerald / Takehisa Kosugi / Christine Kozlov / Johannes Kreidler / Isaac Linder / Filippo Tommaso Marinetti / Richard Maxfield / Igal Nassima / Bruce Nauman / Non-Cochlear Posting / Tobias Reber / Terry Riley / Sean Smith / The Institute Of ACES / Michael Trommer / Ben Vautier / Michael Winter
first performance: 11.09.2021 / Kunstraum Walcheturm, Zürich
performers: Benjamin Jaton, Killian Perret-Gentil, Raphaël Belfiore
production: IGNM Zürich
score / libretto